Third-year pupil Jeremy Stafford shares his expertise at Queensland Conservatorium finding out a Bachelor of Music in Classical Guitar.

Stroll us by way of what a day is like finding out on the Conservatorium. 

The first part of most days on the Con is observe. I begin every day with about 40 minutes of warming up, specializing in rest. That is completely important, as, on some days, I’ve to play for round 5-6 hours, in varied workshops and rehearsals in addition to discovering time for private work on repertoire. Along with the sensible part of the diploma, we’re provided a variety of educational courses. A few of these, akin to Music Idea and Aural Research, purpose to boost our craft by way of serving to us perceive music on a deeper degree. Others are extra oriented across the institution of non-musical, but important abilities. A notable instance of that is the course My Life as a Musician, which is primarily oriented round imparting the enterprise acumen essential to appreciate one’s artistic objectives.

What do you like most about Queensland Conservatorium and why did you come right here to review?

I got here to review on the Queensland Conservatorium predominantly to be taught with Karin Schaupp. Not solely is Karin an unimaginable performer, however she can also be a outstanding mentor who has coached me to refine my very own inventive imaginative and prescient and technical abilities. Over the previous 2 and a half years of studying with Karin, I’ve gained quite a few abilities invaluable to my profession, each of a musical and enterprise nature.

My favourite factor about finding out on the Conservatorium is the collaborative environment. I feel going right into a music diploma, all of us have this distorted preconception that our lives will henceforth be formed by way of competitors with our friends. This couldn’t be farther from the reality. My experiences on the Conservatorium, from collaborating in chamber ensembles to enjoying in workshops, have at all times been set in a collaborative framework, with the top objective of mastering our craft collectively. Not solely is that this a simpler technique of studying and progress, but it surely makes the method way more pleasing too!

Have there been any courses or particular academics who’ve impressed you all through your time right here?

Essentially the most inspiring courses on the Con, for me, can be the sensible research workshops. In these workshops, we get the chance to play the items we’re presently engaged on for friends and lecturers, and obtain constructive criticism. Not solely are these nice efficiency experiences in their very own proper, getting to listen to my colleagues play is commonly very inspiring and may make sitting right down to observe later that day just a bit bit simpler.

Have you ever had many alternatives to carry out? 

Some of the pleasing performances I’ve had the pleasure to partake in throughout my time on the Con was the 2018 manufacturing of Purcell’s The Fairy Queen. It’s uncommon for guitarists to get to play in an opera manufacturing, and even rarer for us to play within the type of baroque continuo, making that chance one I’ll keep in mind for a while.

The Fairy Queen

Over the course of finding out on the Con, we’ve had a bevy of visiting guitarists come and take grasp courses. Every of those was rewarding in its personal distinctive approach, with every artist giving a useful, contemporary perspective on our enjoying. Some of the participating was working with the Holland-based Z.O.O. guitar duo final 12 months, on a bit known as Six Balkan Miniatures. The category broadened my expressive capabilities on the instrument and helped me refine my musical imaginative and prescient for the piece.

What’s your proudest achievement to this point on the Con?

Most likely recording Ginastera’s Dream (written by Chrystian Dozza) with QCGU’s very personal Riverside Guitar Ensemble, and having that recording performed on ABC Basic FM.


What recommendation do you have got for future college students?

If you happen to plan to return to the Con straight from faculty, I keep in mind how powerful that was. The tutorial workload in grade 12 is hardcore, not to mention making ready for the con audition on high of that. An important factor I’d advise you to do, is discover ways to handle your time higher. Not solely will it enable you to get by way of your final 12 months of college, however good time administration abilities are completely important when finding out an instrument at a tertiary degree.

Are you able to inform us a bit about your background and what drew you to music and particularly classical guitar?

I grew up in a musical household, each my mother and father had been lively academics and performers, so I used to be constantly uncovered to a variety of genres and performances. Because of this, it was in all probability inevitable that music would at all times be part of my life, whether or not as a passion or profession. My journey as a guitarist began not within the classical realm, however from listening to my household’s assortment of basic rock data, primarily comprised of ACDC, Pink Floyd and Blue Oyster Cult. Initially, I began my formal musical journey enjoying woodwinds, such because the saxophones, clarinet and flute, which I proceed to play right this moment. I solely grew to become conscious of classical guitar at about 11 once I heard a guitar ensemble directed by my future instructor, with whom I might finally research with on the Con. I assume you may say it actually struck a chord!



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